I was out walking the pups (in addition to our own, we were taking care of our youngest son's dog) around nine one morning last week. Having just barked their heads off at a plumber getting out of his truck, they were strutting down the street (all eighteen pounds of chihuaha-terrier mix, combined), one with his ears perked up, the other one with her ears flapping down, both tails up in the air, clearly very pleased with themselves, when I experienced one of these minutes when Time seems to coalesce and hang in the air like an all-encompassing drop of luminous peace. The sky was a deep blue, the sun bright, far away the highway rumbled, birds were tweeting somewhere, the cool air smelled of pine and eucalyptus, I felt that if I reached out, I might actually touch life itself and it would be almost gel-like because there was no flux, only the present. A perfect minute. I stopped walking, awed. Then the dogs started sniffing and panting, pulling towards a red squirrel on a low limb, the world resumed its spinning. Still I had had that moment and I filed it away in my box of wonder. Albeit a very different, experience, our visit to a saffron farm back in the fall when we were in Marseille also felt suspended in time. Maybe it was the setting...
Or the twenty-minute walk up the fragrant hills from Lascours, the sleepy village where we had parked the car...
Maybe it was the beloved friends we were with and the good-natured group of locals we had joined for the occasion...
Maybe it was Delphine Douet, the owner of the saffron farm, a knowledgeable and enthusiastic guide. Maybe it was the weather, maybe the colors, maybe the aromas... Maybe a combination of all this. In any case, a morning so perfect that it could only foster hope and healing.
I didn't know much about saffron before visiting the farm. I knew I loved its smell and taste, I knew it was the most expensive spice in the world and I knew it came from a specific variety of crocus. Beyond that, not a clue. I suspect such is the case with most visitors because the first thing Delphine did was sit us down at a long table on a restanque (narrow terrace where the crocuses are cultivated) and tell us everything we could possibly want to know about the precious or rouge (red gold) as saffron is sometimes called.
Although I enjoyed hearing about the role of saffron in history, its place in religious rituals, its medicinal benefits, its cosmetic uses, its dyeing properties, its culinary assets, etc. I am not going to overload you with this info because you can easily find it on the web. If you read French, a good place to start would be 13'Or Rouge, Delphine's own website or this report she referred me to. For English-speakers, there is Wikipedia and other resources including this page of gardening tips in case you decide you grow your own (which I'd like to try).
What mostly got my attention was the fact that while the world produces about two hundred tons a year, four hundred tons are actually traded, meaning that not all that is labeled saffron is the real thing. As explained in this article (in French), some producers may substitute marigold, safflower, arnica, corn silk, seaweed, etc. or use dyes. They may make saffron threads heavier by coating them with sugar, oil, honey and mineral powders.
Others may include some non-aromatic parts of the plant itself. The stigma is the red thread which, once dehydrated, becomes the spice. The style is its yellow "foot." Cheaper brands often contains both stigmas and styles. Delphine explained that she always has her harvest helpers (us on that particular day) gather the stigmas in red bowls so that she can see at a glance whether or not they mistakenly included any of the yellow styles. Bowls containing yellow specks do not pass muster. To make her point, she passed around two little bottles, the first one containing dehydrated stigmas, the second one containing dehydrated styles, and invited us to uncork them and smell. The red stigmas smelled divine. The yellow styles smelled like old hay. In other words when you buy saffron that's both red and yellow, you are not getting one hundred percent pure saffron.
I normally get my saffron from Trader Joe's. When I got back home from France, I checked the bottle I had in my spice drawer.
Here is what TJ's saffron looks like on a red plate.
To be compared with the saffron in one of our bowls (prior to Delphine's inspection)...
Knowing what I know now, I understand why TJ's saffron is more affordable than others. I checked out saffron at Costco too. At first glance, it looks pretty much the same as TJ's and I assume it smells and tastes about the same as well. Less fragrant and aromatic that the one in Provence but a reasonable alternative although you will have to use it in bigger amounts to achieve comparable results.
One trick to find out whether the saffron you bought has been dyed is to rub some threads (or powder) between two wet fingers. Your fingers should turn yellow. If they turn red, dye has been used. Delphine advises against buying saffron powder because it is often adulterated.
The saffron-producing crocus is crocus sativus. The bulbs are buried in the summer for a fall harvest. They multiply underground during winter and spring then go dormant. Early summer is a good time to deter them, so that the cycle can resume. Dependent on man's help for reproduction, the crocus has been grown that way for five thousand years. To harvest the saffron, one pinches the flower at its base and snips it off (pulling would damage the bulb). When all the flowers have been harvested, the stigmas are pulled out. There are three stigmas per flower.
We were directed to a pile of little straw baskets...
...and off we went, the two youngest (age nine and fifteen) racing ahead and filling their baskets in record time. When the whole restanque had been plucked over and all the stigmas pulled out, Delphine weighed the contents of our combined harvest: twelve grams.
Well, it was twelve grams when she first weighed it but by the time I took the picture (like two or three minutes later), desiccation had set in and the weight was already down by one centigram. Just so you know, one hundred grams of fresh stigmas yield 20 g of dry saffron. For one kilogram of saffron, you need the stigmas of about one hundred and sixty thousand flowers.
Once enough stigmas have been collected, they are dehydrated for twenty minutes at 140-158°F/60-70°C, then stored in tightly closed containers away from any light source.
To maximize aroma and flavor, saffron must be rehydrated before use, preferably for twenty-four to forty-eight hours. A baker might want to soak it in the water to be mixed with the flour.
Delphine took out various saffron-infused products (jams, marmalades, honey, tea) to taste with bread from Dame Farine, the lovely Marseille bakery we had just visited. A match made in heaven!
Spent crocus flowers...
If you ever are in the Marseille area in early fall and would like to visit the farm, you may want to contact Delphine at +33 6 86 22 16 88 and put your name on the list for a group tour. She speaks English. Outside harvest season, she also organizes saffron-themed breakfasts at regular intervals.
Showing posts with label Saffron. Show all posts
Showing posts with label Saffron. Show all posts
Friday, January 9, 2015
Monday, December 1, 2014
Marseille: Boulangerie Dame Farine
I was planning to do a Meet the Baker post on my friend Marie-Christine Aractingi who recently opened a bakery in Marseille, France, but circumstances went against us. The Toussaint holiday weekend was around the corner and Marie had a hectic week. Both the lab and the shop were unusually busy and we couldn't do a proper interview. But the Man and I were in the city visiting friends who have two sons, age fifteen and nine. These kids have the proverbial growing boy appetite which means we brought home a lot of bread every time we stopped by...
...and bread is very eloquent at Dame Farine.
In fact it can't stop talking and it says a lot about the baker. So if you ever find yourself in Marseille, a city of mind-blowing contrasts which I personally find both hard to fall for and impossible to dismiss, make a beeline for 77 avenue de la Corse, not far from the Vieux Port and Palais du Pharo. and get a loaf or two. Your tastebuds will thank you. Plus you may meet la boulangère! If you do, please say hi! to her for me.
In the hands of a skilled baker, bread not only talks, it sings. Take Marie's petit-épeautre intégral (whole-grain einkorn) for instance. Buy a loaf and cut yourself a slice (or rip off a chunk if you can't wait), close your eyes, bring it to your mouth and bite.
Chances are you will find yourself transported to the hills of Haute-Provence, the very ones you roamed in your imagination if you ever read Marcel Pagnol's souvenirs or watched Jean de Florette or Manon des sources. I have had einkorn before but nothing that ever approached the flavor of this one, grown in a hardscrabble land where the sun is fierce and water elusive. The bread reminds me of pain d'épices (even though it contains no spices or sweetener) but mostly, it brings back the drives south in the summers of my childhood when the first clue that the grandes vacances (summer vacation) had indeed arrived was the scent of the maquis (the pervasive Mediterranean scrubland) drifting in through the open car windows. However you don't need blasts from the past to love Marie's petit-épeautre, the aforementioned boys couldn't get enough of it. I was impressed. Especially because the bread is whole-grain and they are raised mostly on baguettes. Of course it helps that, despite their tender age, they are both erstwhile gourmets with a devouring interest (pun intended!) in experiencing new tastes.
Also strongly evocative of terroir is Marie's fougasse aux olives. While petit-épeautre takes you to Provence's fragrant and stony hills, the fougasse brings to mind cobblestoned streets lined with colorful market stalls and lazy lunches under the vine arbor. The olives are plump and plentiful (I love it when a baker is generous with ingredients) and the crumb-crust ratio is spot-on perfect, so that buying a couple of loaves (or more) is the only way to make sure there'll be some left at mealtime.
At Dame Farine, all flours and most ingredients are organic and locally sourced. The bread is hand-crafted in small batches. The levains are mild, the mixer is gentle, fermentation is long. Even though the bakery is located on a busy avenue, it feels like an old-fashioned village boulangerie: locals come in, greet the baker, leave with bread and brioche; kids examine the display of sweet rolls and carefully select their after-school snacks.
There is laughter and gossip. People linger and ask questions. The city isn't familiar yet with the flours Marie likes to use: kamut, spelt, rye, buckwheat, chestnut. Some customers are more daring than others but all look and wonder and you can see in the timid ones' eyes that they are sorely tempted and that, one day, they too might take a wild leap into the unknown.
It doesn't hurt that the baker is a poet and that her breads carry inspired names. The whole-grain kamut is miche Cléopâtre, the big rustic white loaf Petit-Poucet (Little Tom Thumb) and, in a stroke of genius, the whole-wheat is called Soleil Levain (soleil levant means "rising sun.") When I saw that, I couldn't resist brightening up our day by taking home a chunk.
On our last visit we left with half-a-dozen castagnous (Marie comes up with a different seasonal roll every week). Made from chestnut flour and whole chestnuts, they taste like an old-fashioned French Christmas. Guess who made short work of those!
There is a wonderful feeling of community around the new bakery. The neighborhood tradespeople threw a block party when it opened. The mayor gave a toast. Friends came from Aix. There were flowers and smiles. Tears of emotion too. Word of mouth is doing the rest with help from the media. Locals have started saying "tu" to Marie, to kiss her on both cheeks, to ask how she is doing. She is getting to know them, to remember who likes his or her baguette bien cuite (dark) and who deplores the crisp crust but still comes back for more. On Saturdays, some customers arrive in late afternoon and leave with armfuls of loaves, a sure sign they live in other boroughs or maybe in the suburbs and are stocking up for the week before heading home. She loves interacting with them all.
Delphine, one of Marie's new neighbors, runs a safranière (a saffron farm) in nearby Aubagne. We visited her on a gorgeous Saturday morning (more about that in an upcoming post) and were delighted to see that the bread used in the tasting came from Dame Farine. Bread made with local grains, spread with locally-grown-saffron-infused jams: we were eating the landscape. It tasted marvelous.
...and bread is very eloquent at Dame Farine.
In fact it can't stop talking and it says a lot about the baker. So if you ever find yourself in Marseille, a city of mind-blowing contrasts which I personally find both hard to fall for and impossible to dismiss, make a beeline for 77 avenue de la Corse, not far from the Vieux Port and Palais du Pharo. and get a loaf or two. Your tastebuds will thank you. Plus you may meet la boulangère! If you do, please say hi! to her for me.
In the hands of a skilled baker, bread not only talks, it sings. Take Marie's petit-épeautre intégral (whole-grain einkorn) for instance. Buy a loaf and cut yourself a slice (or rip off a chunk if you can't wait), close your eyes, bring it to your mouth and bite.
Chances are you will find yourself transported to the hills of Haute-Provence, the very ones you roamed in your imagination if you ever read Marcel Pagnol's souvenirs or watched Jean de Florette or Manon des sources. I have had einkorn before but nothing that ever approached the flavor of this one, grown in a hardscrabble land where the sun is fierce and water elusive. The bread reminds me of pain d'épices (even though it contains no spices or sweetener) but mostly, it brings back the drives south in the summers of my childhood when the first clue that the grandes vacances (summer vacation) had indeed arrived was the scent of the maquis (the pervasive Mediterranean scrubland) drifting in through the open car windows. However you don't need blasts from the past to love Marie's petit-épeautre, the aforementioned boys couldn't get enough of it. I was impressed. Especially because the bread is whole-grain and they are raised mostly on baguettes. Of course it helps that, despite their tender age, they are both erstwhile gourmets with a devouring interest (pun intended!) in experiencing new tastes.
Also strongly evocative of terroir is Marie's fougasse aux olives. While petit-épeautre takes you to Provence's fragrant and stony hills, the fougasse brings to mind cobblestoned streets lined with colorful market stalls and lazy lunches under the vine arbor. The olives are plump and plentiful (I love it when a baker is generous with ingredients) and the crumb-crust ratio is spot-on perfect, so that buying a couple of loaves (or more) is the only way to make sure there'll be some left at mealtime.
At Dame Farine, all flours and most ingredients are organic and locally sourced. The bread is hand-crafted in small batches. The levains are mild, the mixer is gentle, fermentation is long. Even though the bakery is located on a busy avenue, it feels like an old-fashioned village boulangerie: locals come in, greet the baker, leave with bread and brioche; kids examine the display of sweet rolls and carefully select their after-school snacks.
There is laughter and gossip. People linger and ask questions. The city isn't familiar yet with the flours Marie likes to use: kamut, spelt, rye, buckwheat, chestnut. Some customers are more daring than others but all look and wonder and you can see in the timid ones' eyes that they are sorely tempted and that, one day, they too might take a wild leap into the unknown.
It doesn't hurt that the baker is a poet and that her breads carry inspired names. The whole-grain kamut is miche Cléopâtre, the big rustic white loaf Petit-Poucet (Little Tom Thumb) and, in a stroke of genius, the whole-wheat is called Soleil Levain (soleil levant means "rising sun.") When I saw that, I couldn't resist brightening up our day by taking home a chunk.
On our last visit we left with half-a-dozen castagnous (Marie comes up with a different seasonal roll every week). Made from chestnut flour and whole chestnuts, they taste like an old-fashioned French Christmas. Guess who made short work of those!
There is a wonderful feeling of community around the new bakery. The neighborhood tradespeople threw a block party when it opened. The mayor gave a toast. Friends came from Aix. There were flowers and smiles. Tears of emotion too. Word of mouth is doing the rest with help from the media. Locals have started saying "tu" to Marie, to kiss her on both cheeks, to ask how she is doing. She is getting to know them, to remember who likes his or her baguette bien cuite (dark) and who deplores the crisp crust but still comes back for more. On Saturdays, some customers arrive in late afternoon and leave with armfuls of loaves, a sure sign they live in other boroughs or maybe in the suburbs and are stocking up for the week before heading home. She loves interacting with them all.
Delphine, one of Marie's new neighbors, runs a safranière (a saffron farm) in nearby Aubagne. We visited her on a gorgeous Saturday morning (more about that in an upcoming post) and were delighted to see that the bread used in the tasting came from Dame Farine. Bread made with local grains, spread with locally-grown-saffron-infused jams: we were eating the landscape. It tasted marvelous.
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